Archive for category digital entertainment
Insanely cute kitten being fed with chopsticks
Posted by barb dybwad in digital entertainment on November 17th, 2009
The internet is trying to kill us, people. Set the Cute Threat Level to RED!
Also, is that a kitteh or an Ewok? Srsly.
This dude gets +7 to resume creation… seriously
Posted by barb dybwad in digital entertainment on November 12th, 2009
Auto-Tune the News does Kanye West, Balloon Boy
Posted by barb dybwad in digital entertainment on November 12th, 2009
Love. These. Folks.
First music videos shot entirely with iPhone 3GS start rolling
Posted by barb dybwad in digital entertainment, gadgets, mobile, technology on July 8th, 2009
Some of these might have to haggle over who was truly “first,” but the interesting point is it took so little time for them to appear after the launch of the video camera-capable iPhone 3GS. Those who hate on the relative lack of “image quality” including haters of the Flip Mino series really miss the point here — it’s about convenience, ease of use and the empowerment of a new breed of digital creatives. Much like the falling cost of recording equipment spawned a surge in bedroom production from talented (and untalented…) unknowns and amateurs in the realm of music, so too will we continue to see an uptick in compelling and relevant video productions from unexpected places. We’re lucky to be witnessing the era of read write culture kicking off.
Below is a track by Kenny Mosher set to video produced by Showdown Productions. After the break is “Love, Love, Love” by Reyna Perez.
Music Video Shot on iPhone from Kenny Mosher on Vimeo.
On the passing of Michael Jackson, pop legend and total enigma
Posted by barb dybwad in digital entertainment on June 25th, 2009
“His death may have stunned the world of music, but those who knew Michael Jackson say the warning signs of his fading health were clear. They claim his long-term addiction to painkillers is the obvious underlying health issue which – combined with the considerable pressure of attempting a showbusiness comeback – may just have claimed his life. Only last month, the Daily Mail reported that Jackson was struggling to make even a handful of the rehearsals for the comeback tour which was due to start in July at the O2 in London. He had been to just two out of more than 45 rehearsals.”
He’s steeped in my memory from childhood but I lost total interest during the creepy years (which, sadly, were the majority of the past 2 decades). Why is it then that his death finds me suddenly fascinated by such a strange personality and bizarre larger-than-life life — a sad, twisted product of childhood abuse and resulting psychological disorders, the intense pressures of superstardom, almost continuous medical treatment morphing into 25 years of prescription drug addiction, a disturbing obsession with plastic surgery and the peculiar two-sided coin of unrelenting media scrutiny combined with a reclusive, self-delusional private fantasy world enabled by wealth and a sycophantic entourage of opportunistic handlers.
Michael Jackson was a completely and utterly fascinating icon of the ravages and consequences of the American supermedia machine and resultant hyper-celebritism. He was also a phenomenally talented musician, singer, songwriter, dancer and entertainer who was loved around the world and broke so many records we’ve lost count. Whether he really was a child abuser or simply a psychological and emotional child himself unable to grow mentally into adulthood due to physical and emotional abuse from his father from a young age and complete sheltering from adult reality (or both), it was a sad and terrible long decline for a star once so bright. Whatever he became, it’s clear he so long and so desperately wanted to become someone else. It’s a mad, mad, mad, mad world.
Thoughts on re-imagining the music retail business
Posted by barb dybwad in digital entertainment, technology on June 23rd, 2009
Digital music kiosks take another spin
Reading this gives me crazy ideas about completely transforming the music retail experience into more of a social experience — get rid of 80% of the CD racks, keep some premium inventory around like box sets and limited editions, put in a coffee shop (seems to work wonders for brick and mortar book retailers) and create a space for music lovers to hang out and share tunes with each other. Put in digital “jukebox” computers, let people stream whatever they want (volume might be an issue… maybe the tables have headphone stands, or hire a brilliant sound engineer to baffle everything properly so tables/stations don’t bleed too much audio), and some percentage will buy MP3 files on site (and continue to buy some physical media). Others won’t buy anything but the occasional coffee but will be 100% free and avid promoters to others. Have concerts and special events in stores constantly. Hold workshops for would-be and independent music makers.
Even better: provide a celestial jukebox service to any customer who buys anything from you, ever. Store whatever tracks and albums they buy, ever, and let them stream it from any device they own. Let them re-download anything at any time when they have a hard drive crash, clean system install, get a new computer/NAS/PMP/phone/game console/etc.
Layoffs at MySpace… shocker!
Posted by barb dybwad in digital entertainment, social media, web on June 16th, 2009
MySpace slashes head count by 30 percent | The Social – CNET News.
The tagline reads “MySpace is a place for friends.” No, it’s not. It’s a place for scum-sucking, bottom-feeding, spam-spewing trolls to post mindless blinking affiliate marketing links all over creation. If “this hurts me more than it hurts you” Van Natta wants to turn that ship around they have to start treating the social network like a community that it sadly once was, heinous crimes against HTML and all, instead of like a wishful money-printing machine that occasionally requires light watering for maintenance.
Seriously, that place is a cesspool.
Publishers continue whining about how Google “stole” distribution on the web
Posted by barb dybwad in digital entertainment, publishing, technology, web on May 6th, 2009
“Spanfeller: For some time there have been murmurings about the relative value generated by Google vs. the parasitical nature of its business model. In short, is Google being disproportionally compensated for what is fundamentally other people’s work?”
via Forbes.com CEO Spanfeller Attacks Google, Stumbles Into His Own Cesspool.
First of all, this entire article from Danny Sullivan is a great and astute dismantling of Spanfeller’s “argument” — very enjoyable read. Second of all, I just wanted to comment on how it’s a very fascinating time to be covering technology news and witnessing a lot of huge companies from the analog era still floundering and failing to comprehend how and why the internet is eating them for lunch. As Sullivan aptly points out in the article, these companies and these industries have had years to see all this coming. The writing has been on the wall for some time, yet in all the content industries that stood to be most affected, very little was done to adapt. First in music, then in film, now in TV and publishing there appears to be some critical mass of desperation. Avoidance, massive lawsuits, walled gardens, inflating prices and whining for bailouts haven’t panned out. What’s next? Innovation or collapse.
To pick apart the above statement more finely — it’s curious to me that the CEO of a financial publication can unironically be doubting the value proposition of distribution. Are cable providers being disproportionally compensated for what is fundamentally other people’s work? Is Amazon.com being disproportionally compensated for peddling other people’s wares? Is Apple unfairly being enriched by that whole iTunes Music Store thing where they distribute content made by other people? Even as the cost of distribution falls, the value of distribution is still as high as ever — perhaps even moreso, as the flood of available content continues to increase and it becomes ever more difficult to filter. Google devised a solution to a problem they had the foresight to envision emerging. Twitter offers an intriguing and new twist on the concept of distribution channels, an idea so powerful that Facebook flat out copied it.
What publishers are really saying amidst this mess is that “people ought to like and find valuable our professionally-produced content.” While there’s a shadow of logic in there somewhere, no amount of stepping up to a podium and saying “people should read us” is going to move the needle whatsoever. A hungrier technology industry with less to lose and everything to gain has come in and offered people a treasure trove of alternatives to what “professional” publishers are offering (many of them becoming “professional” themselves along the way) along with new, interesting, fast and ultra-convenient distribution methods to find, filter and consume it. The game has changed completely and content industries are still devoting exorbitant resources in a vain attempt to roll back the rulebook instead of cultivating some hussle, summoning some hutzpah and diving into the game. Stop whining, start playing!
Managementthink is killing MSM
Posted by barb dybwad in digital entertainment, publishing, technology, web on April 8th, 2009
“We’re looking, of course, at ways to extract payments from the consumers of our news — micro-payments, subscriptions, memberships, licensing, even voluntary donations,” Bill Keller, executive editor of The Times, said last week in a speech at Stanford University.
Time Inc. EVP John Squires used strikingly similar language in a recent statement about figuring out how to “save magazines”: these guys are busy scratching their brains about how to “get a payment from a consumer.”
So what’s missing here? How about any discussion of how to actually provide better value to the consumer? Or perhaps how to reach consumers in the new landscapes they’re inhabiting? Nope. We don’t hear much about that. It’s all fire and brimstone about how consumers have the audacity to skim headlines to absorb the news (did these guys think people read newspapers cover to cover when they come on paper?) or how Google dared to invent a way to find stuff you were looking for on the internet easily. Serving customers better value for less cost? The nerve! That’s just downright sleaz… oh wait, that’s one of the fundamental tenets of business.
This is symptomatic of a larger disease going on in business that Bob Sutton describes astutely in a piece on Why Management is Not a Profession. Business schools teach future management that the game is almost solely about “extracting value.” Mr. Keller and Mr. Squires apparently both paid attention in class, and they’re not the only ones. This model reveals capitalism in its ugliest form — an elaborate shell game in which value is artificially inflated to harvest more payment from consumers, who often have poor alternatives to forking over that $0.10 carriers tell them is reasonable cost to send 160 characters of data, or who live in areas monopolized by providers who decide 40 GB of data at the same price as the previous unlimited plan is completely logical.
If these MSM goons want to save their businesses they’d better get schooled in how to make themselves relevant to the consumers they so desperately want to extract more value from, because at the moment it’s entirely logical to sympathize less, not more, with their plight.
