Archive for category digital entertainment

Layoffs at MySpace… shocker!

MySpace slashes head count by 30 percent | The Social – CNET News.

The tagline reads “MySpace is a place for friends.” No, it’s not. It’s a place for scum-sucking, bottom-feeding, spam-spewing trolls to post mindless blinking affiliate marketing links all over creation. If “this hurts me more than it hurts you” Van Natta wants to turn that ship around they have to start treating the social network like a community that it sadly once was, heinous crimes against HTML and all, instead of like a wishful money-printing machine that occasionally requires light watering for maintenance.

Seriously, that place is a cesspool.

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Publishers continue whining about how Google “stole” distribution on the web

Spanfeller: For some time there have been murmurings about the relative value generated by Google  vs. the parasitical nature of its business model. In short, is Google being disproportionally compensated for what is fundamentally other people’s work?”

via Forbes.com CEO Spanfeller Attacks Google, Stumbles Into His Own Cesspool.

First of all, this entire article from Danny Sullivan is a great and astute dismantling of Spanfeller’s “argument” — very enjoyable read. Second of all, I just wanted to comment on how it’s a very fascinating time to be covering technology news and witnessing a lot of huge companies from the analog era still floundering and failing to comprehend how and why the internet is eating them for lunch. As Sullivan aptly points out in the article, these companies and these industries have had years to see all this coming. The writing has been on the wall for some time, yet in all the content industries that stood to be most affected, very little was done to adapt. First in music, then in film, now in TV and publishing there appears to be some critical mass of desperation. Avoidance, massive lawsuits, walled gardens, inflating prices and whining for bailouts haven’t panned out. What’s next? Innovation or collapse.

To pick apart the above statement more finely — it’s curious to me that the CEO of a financial publication can unironically be doubting the value proposition of distribution. Are cable providers being disproportionally compensated for what is fundamentally other people’s work? Is Amazon.com being disproportionally compensated for peddling other people’s wares? Is Apple unfairly being enriched by that whole iTunes Music Store thing where they distribute content made by other people? Even as the cost of distribution falls, the value of distribution is still as high as ever — perhaps even moreso, as the flood of available content continues to increase and it becomes ever more difficult to filter. Google devised a solution to a problem they had the foresight to envision emerging. Twitter offers an intriguing and new twist on the concept of distribution channels, an idea so powerful that Facebook flat out copied it.

What publishers are really saying amidst this mess is that “people ought to like and find valuable our professionally-produced content.” While there’s a shadow of logic in there somewhere, no amount of stepping up to a podium and saying “people should read us” is going to move the needle whatsoever. A hungrier technology industry with less to lose and everything to gain has come in and offered people a treasure trove of alternatives to what “professional” publishers are offering (many of them becoming “professional” themselves along the way) along with new, interesting, fast and ultra-convenient distribution methods to find, filter and consume it. The game has changed completely and content industries are still devoting exorbitant resources in a vain attempt to roll back the rulebook instead of cultivating some hussle, summoning some hutzpah and diving into the game. Stop whining, start playing!

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Managementthink is killing MSM

“We’re looking, of course, at ways to extract payments from the consumers of our news — micro-payments, subscriptions, memberships, licensing, even voluntary donations,” Bill Keller, executive editor of The Times, said last week in a speech at Stanford University.

Time Inc. EVP John Squires used strikingly similar language in a recent statement about figuring out how to “save magazines”: these guys are busy scratching their brains about how to “get a payment from a consumer.”

So what’s missing here? How about any discussion of how to actually provide better value to the consumer? Or perhaps how to reach consumers in the new landscapes they’re inhabiting? Nope. We don’t hear much about that. It’s all fire and brimstone about how consumers have the audacity to skim headlines to absorb the news (did these guys think people read newspapers cover to cover when they come on paper?) or how Google dared to invent a way to find stuff you were looking for on the internet easily. Serving customers better value for less cost? The nerve! That’s just downright sleaz… oh wait, that’s one of the fundamental tenets of business.

This is symptomatic of a larger disease going on in business that Bob Sutton describes astutely in a piece on Why Management is Not a Profession. Business schools teach future management that the game is almost solely about “extracting value.” Mr. Keller and Mr. Squires apparently both paid attention in class, and they’re not the only ones. This model reveals capitalism in its ugliest form — an elaborate shell game in which value is artificially inflated to harvest more payment from consumers, who often have poor alternatives to forking over that $0.10 carriers tell them is reasonable cost to send 160 characters of data, or who live in areas monopolized by providers who decide 40 GB of data at the same price as the previous unlimited plan is completely logical.

If these MSM goons want to save their businesses they’d better get schooled in how to make themselves relevant to the consumers they so desperately want to extract more value from, because at the moment it’s entirely logical to sympathize less, not more, with their plight.

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Kindle for iPhone app: Amazon and Apple both win

This is a great example of companies “getting it” — the Kindle for iPhone app (see Obsessable’s review) is a taste of a more premium experience one can get with the full Kindle reader. The text-to-speech functionality could have been the same thing to audiobooks if the Author’s Guild hadn’t freaked out — and still could be to those publishers and authors smart enough not to opt out.

Baker believes Amazon.com got more than it gave. “The iPhone becomes a seeding platform for e-book distribution,” he said, and an upsell opportunity for Amazon.com. “At a minimum, I think a lot of people with iPhones are going to try [the Kindle reader]. When they do, some will say, ‘I’d like to download directly, and I want a bigger screen, so maybe I should buy a Kindle.’ “

via Analyst: Apple turns its back on e-book market.

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Republic Project: creative “digital box set” business model

The Republic Project reinvents the special edition music box set for the digital age. Users who pre-order albums on the service will get access to exclusive behind the scenes video shot by the band while recording the new album, access to artist blogs, as well as additional ‘fan only’ content like live chats and access to rare tracks. The albums on the Republic Project will be available as DRM-free MP3s.

This is a really smart approach that makes use of the 80/20 rule — those top 20% of your fans/users/readers will pay more to get more of your brand/services/content if you give them a reasonable way to do so. Also cool: makes use of the Flip Mino HD handheld camcorder. What other business models does cheap handheld HD make possible? Can’t wait to find out.

[via Republic Project: Reinventing the Box Set for the Digital Age - ReadWriteWeb]

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9 movie trailer: animated post-apocalyptia courtesy of Tim Burton

This looks amazing:

9 is a surreal post-apocalyptic nightmare in which all of humanity is threatened, being produced by Tim Burton and Timur Bekmambetov (of Wanted fame), directed by former WETA Digital artist Shane Acker, and featuring the music of Danny Elfman. Add a star-studded voice cast to taste (Elijah Wood, Christopher Plummer, Jennifer Connelly, Crispin Glover, etc.) and this looks like a must see.

[via 9 Movie Trailer | /Film.]

BTW I discovered this via Hulu on my Xbox 360 thanks to PlayOn, a recent discovery in the media streamer department I’m really digging.

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Clay Shirky on the recent resurgence of the micropayments fantasy

“Because small payment systems are always discussed in conversations by and for publishers, readers are assigned no independent role. In every micropayments fantasy, there is a sentence or section asserting that what the publishers want will be just fine with us, and, critically, that we will be possessed of no desires of our own that would interfere with that fantasy.

Meanwhile, back in the real world, the media business is being turned upside down by our new freedoms and our new roles. We’re not just readers anymore, or listeners or viewers. We’re not customers and we’re certainly not consumers. We’re users. We don’t consume content, we use it, and mostly what we use it for is to support our conversations with one another, because we’re media outlets now too. When I am talking about some event that just happened, whether it’s an earthquake or a basketball game, whether the conversation is in email or Facebook or Twitter, I want to link to what I’m talking about, and I want my friends to be able to read it easily, and to share it with their friends.”

Why Small Payments Won’t Save Publishers « Clay Shirky.

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Obamagery

So much to be awed by from last night’s election and I’m still unpacking it all. Some notables:

For me the evening was emotional and awe-inspiring. Between Twitter, Facebook, SMS, voice and a constant stream of news from various sources I felt both plugged in and informed as well as surrounded by friends and other exuberant Obama supporters experiencing a profound moment in history together. That point is made even more poignant by the fact that the Obama campaign itself made brilliant strategic use of the internet and social media to reach out to a more diverse audience of new voters, youth voters, voters of color, and apathetic voters who were finally moved by a candidate who listens carefully, responds mindfully, and speaks authentically a message of re-unification for a country ideologically divided and facing great challenges.

Last night many Americans felt the power of the democratic process in a way we have not felt passionately about in some time. For me it feels like a re-awakening, an indication of the hunger for growth and self-actualization in America’s citizenry, and a powerful groundswell of hope for things to come.

On a much lighter note… after the break I’ve collected some “Obamagery” — user-created or mashed up visual expression of our new President.

Read the rest of this entry »

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The story of Wassup 2008

Wassup 2008
Uploaded by 60Frames

Brilliant 8-years later political comedy and reenactment of a popular Budwieser commercial that ran in 2000. Here’s the story of how the show was produced in 9 days for about $6500 and became a viral hit.

Here’s the original:

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