Posts Tagged music

First music videos shot entirely with iPhone 3GS start rolling

Some of these might have to haggle over who was truly “first,” but the interesting point is it took so little time for them to appear after the launch of the video camera-capable iPhone 3GS. Those who hate on the relative lack of “image quality” including haters of the Flip Mino series really miss the point here — it’s about convenience, ease of use and the empowerment of a new breed of digital creatives. Much like the falling cost of recording equipment spawned a surge in bedroom production from talented (and untalented…) unknowns and amateurs in the realm of music, so too will we continue to see an uptick in compelling and relevant video productions from unexpected places. We’re lucky to be witnessing the era of read write culture kicking off.

Below is a track by Kenny Mosher set to video produced by Showdown Productions. After the break is “Love, Love, Love” by Reyna Perez.

Music Video Shot on iPhone from Kenny Mosher on Vimeo.

Read the rest of this entry »

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Thoughts on re-imagining the music retail business

Digital music kiosks take another spin

Reading this gives me crazy ideas about completely transforming the music retail experience into more of a social experience — get rid of 80% of the CD racks, keep some premium inventory around like box sets and limited editions, put in a coffee shop (seems to work wonders for brick and mortar book retailers) and create a space for music lovers to hang out and share tunes with each other. Put in digital “jukebox” computers, let people stream whatever they want (volume might be an issue… maybe the tables have headphone stands, or hire a brilliant sound engineer to baffle everything properly so tables/stations don’t bleed too much audio), and some percentage will buy MP3 files on site (and continue to buy some physical media). Others won’t buy anything but the occasional coffee but will be 100% free and avid promoters to others. Have concerts and special events in stores constantly. Hold workshops for would-be and independent music makers.

Even better: provide a celestial jukebox service to any customer who buys anything from you, ever. Store whatever tracks and albums they buy, ever, and let them stream it from any device they own. Let them re-download anything at any time when they have a hard drive crash, clean system install, get a new computer/NAS/PMP/phone/game console/etc.

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Auto-Tune the news #5: Let us regulate the lettuce

These are so frakking brilliant.

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Publishers continue whining about how Google “stole” distribution on the web

Spanfeller: For some time there have been murmurings about the relative value generated by Google  vs. the parasitical nature of its business model. In short, is Google being disproportionally compensated for what is fundamentally other people’s work?”

via Forbes.com CEO Spanfeller Attacks Google, Stumbles Into His Own Cesspool.

First of all, this entire article from Danny Sullivan is a great and astute dismantling of Spanfeller’s “argument” — very enjoyable read. Second of all, I just wanted to comment on how it’s a very fascinating time to be covering technology news and witnessing a lot of huge companies from the analog era still floundering and failing to comprehend how and why the internet is eating them for lunch. As Sullivan aptly points out in the article, these companies and these industries have had years to see all this coming. The writing has been on the wall for some time, yet in all the content industries that stood to be most affected, very little was done to adapt. First in music, then in film, now in TV and publishing there appears to be some critical mass of desperation. Avoidance, massive lawsuits, walled gardens, inflating prices and whining for bailouts haven’t panned out. What’s next? Innovation or collapse.

To pick apart the above statement more finely — it’s curious to me that the CEO of a financial publication can unironically be doubting the value proposition of distribution. Are cable providers being disproportionally compensated for what is fundamentally other people’s work? Is Amazon.com being disproportionally compensated for peddling other people’s wares? Is Apple unfairly being enriched by that whole iTunes Music Store thing where they distribute content made by other people? Even as the cost of distribution falls, the value of distribution is still as high as ever — perhaps even moreso, as the flood of available content continues to increase and it becomes ever more difficult to filter. Google devised a solution to a problem they had the foresight to envision emerging. Twitter offers an intriguing and new twist on the concept of distribution channels, an idea so powerful that Facebook flat out copied it.

What publishers are really saying amidst this mess is that “people ought to like and find valuable our professionally-produced content.” While there’s a shadow of logic in there somewhere, no amount of stepping up to a podium and saying “people should read us” is going to move the needle whatsoever. A hungrier technology industry with less to lose and everything to gain has come in and offered people a treasure trove of alternatives to what “professional” publishers are offering (many of them becoming “professional” themselves along the way) along with new, interesting, fast and ultra-convenient distribution methods to find, filter and consume it. The game has changed completely and content industries are still devoting exorbitant resources in a vain attempt to roll back the rulebook instead of cultivating some hussle, summoning some hutzpah and diving into the game. Stop whining, start playing!

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Republic Project: creative “digital box set” business model

The Republic Project reinvents the special edition music box set for the digital age. Users who pre-order albums on the service will get access to exclusive behind the scenes video shot by the band while recording the new album, access to artist blogs, as well as additional ‘fan only’ content like live chats and access to rare tracks. The albums on the Republic Project will be available as DRM-free MP3s.

This is a really smart approach that makes use of the 80/20 rule — those top 20% of your fans/users/readers will pay more to get more of your brand/services/content if you give them a reasonable way to do so. Also cool: makes use of the Flip Mino HD handheld camcorder. What other business models does cheap handheld HD make possible? Can’t wait to find out.

[via Republic Project: Reinventing the Box Set for the Digital Age - ReadWriteWeb]

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